Making Tired Eyes SmileŽ 
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People
Rainbow
Children
Fall
People
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  An Experiential Guide in Language Arts for Seniors with Alzheimer’s





Dragonfly

Joy  

Community

Contribution

Visibility


 
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A LOOK INSIDE

A Look Inside outlines the components of the tutorial in Making Tired Eyes Smile®. It is a quick look at the road ahead for a journey of mutual joy. The tutorial leads the facilitator on the tone of the program. It is the instructions for how to do all the activities/skills. The tutorial emphasizes the role of the facilitator, the environment, the circle of friends and the how to do the program. The facilitator’s creative touches are encouraged.    

What Is Making Tired Eyes Smile®?

It is a process of playing with the different facets available in the realm of language arts, primarily story and poetry, to capture the creative imagination of seniors with Alzheimer’s.

Who Is the Facilitator?        

A person who desires to open the closing world of seniors with Alzheimer’s, if only for a brief moment.

Who Are the Storytellers?

The disease of Alzheimer’s pulls a variety of mankind onto its path. The known is slowly falling away. And yet in the decline, the human spirit still shines. Making Tired Eyes Smile® polishes what is still there.

Preview: Illustrative Lesson Plan

The lesson plans direct the week’s storytelling experiences. A storytelling session may include a full offering or only a few of the activities/skills in the plan. The facilitator chooses the activities on the interests and/or the day’s mood of the circle of friends for the session. Sample outcomes from a circle of friends are shared in the tutorial. Outcomes will always vary. 

The lesson plans include the pictures, the poems, the stories and other things a facilitator might need to draw out the intangibles of joy, respect, contribution and creativity. All lesson plans follow this format.

  Click here to see a lesson plan


 What Props Support the Storytelling?

Minimal tools are required to support the lesson plans. All picture cues, props and aids for all the lessons are downloaded.

Setting the Scene

Creating a circle seating arrangement with the flip chart and easel as the focal point draws the group’s attention and builds on the camaraderie.

Presentation Tips

Handy tips to enhance the success of a storytelling session are presented.

Storytelling Review

It is important each time to complete a self-review on what worked and what didn’t. How can the program be improved? Since the facilitator is a supporting member of the team, consult with the staff for feedback.

Repeat Performances

The joy of creating stories and poems can be repeated between visits through a variety of methods.

Ways to Create Story and Poetry

This is the guide’s reference manual on the mechanics of manifesting stories and poems with a circle of friends. Every component of the core and enrichment programs are described in detail with specifics on how to implement each. Actual outcomes are shared.

Last Words Before Beginning

The most important variable in the storytelling process is the facilitator. It is the energy of the facilitator that draws out the beautiful thoughts that are still within the seniors with Alzheimer’s.

October 8, 2003 – A Diary Entry – It’s Only a Name – I am terrible with names. Names of strangers slip instantaneously. I’ve tried several techniques to enhance keeping a name. But the name slides away. There will be twelve names to remember. So as easily as I drop names, why do I set it as one of my highest priorities with my friends? Why do I commit to a personal salutation for each of my friends?

Names are anchors to our identities. Things shift, but our names are constant. Knowing a person’s name validates the importance of the individual. I pledge to speak with each friend by name. Only later do I trip into the importance of knowing part of a friend’s story. Two incidents remind me how important a personal conversation and a person’s name remains.

Elsie is a new resident. Elsie is angry. She wants to go home. She refuses to participate in the unit’s activities. She walks out on me. The following week I have the idea to speak with Elsie before we start. She is animated in her signature story. I listen. Elsie stays with the group. It is hit and miss over the next few weeks that I spend time just with Elsie. It becomes evident that if I speak to her, she stays. She begins to contribute. I extend the personal greeting to each friend as an established practice. This incident tells me that my friends will lead me to what they like if I am willing.

The second situation: A new friend sits closest to the hallway. I met her last week. But her name escapes me. With every step I am saying, “What’s her name? What’s her name?” It is no help –  her name is lost. I say hello without her name and continue around the circle, still hopeful the name will pop in. I know she is watching because all my friends watch as I make my way around the circle. Thank goodness, in the midst of the activity, her name bounces into my mind. I come back with “Hi, Jayne.” She replies, “It’s about time you got to me!”

Names are important. Validation is important. “Seeing” my friends is important. An individual greeting is a small investment for the potential returns of a great story and beautiful poems.

Optional reading – A Diary Entry – The tutorial contains optional reading from the diary of the author describing her experiences as a facilitator in Making Tired Eyes Smile®. The select diary inserts are offered for several reasons: it may give insight to facilitators who do not know Alzheimer’s intimately, it may give comfort to family members to view the range of story and poetry triggered by this language arts program and it may expand for the professional caregiver another viewpoint of who a person with Alzheimer’s remains. The complete diary is available as product option. See The Options. Select The Diary – My Unedited and Uneven Steps on the Rough Terrain of Alzheimer’s (Annotated).

Kay is my mother-in-law. All the names of Kay’s friends in this circle of sojourners have been changed to honor their privacy.

May 16, 2004 – A Diary Entry – Shooting Stars – It is a flash so quick I wonder if I really see the star shoot across the heavens. In an instant it is gone. There is no automatic replay. There is no trace. I cannot point it out to the person standing next to me under the dark sky. I am the witness.

Creating stories in my circle of friends is like being a witness to the occasional occurrences of shooting stars. I don’t know from which friend the glimmer will shine. It is quick. There is no replay. The words on the flip chart are the only trace.

Sometimes the glimmer is not words spoken. Sometimes the glimmer is an aha moment that reverberates in sparkling eyes or nodding heads. Sometimes the shine comes in smiles. Sometimes claps erupt into our space.

The moment is short. Just because it is so effervescent and disappears in a flash doesn’t diminish its happening. I stand in awe under the night sky and look at the shimmering of stars light years away. I am in awe of the flicker of brightness in my circle of friends. I am the witness.

Summary – The tutorial builds the philosophy of implementing Making Tired Eyes Smile®. The lesson plans supply the agenda and the aids/props put into practice the desired outcomes.


All contents copyright 2006 LaRee Ewers. All rights reserved. website by usucceed.com